Nikon D300, Nikkor AF-S 300/2.8 plus TC20E III (2x), ISO 400, 1/500th second at f/8, 7:47 am
I’m very happy to report that temperatures in central AZ have finally returned to reasonable levels for outdoor activities. Last I had heard on the TV was that we’d had 114 days of triple digit highs in Phoenix this summer, and that on average it was the hottest summer we have ever had. The 10 day forecast shows highs only in the mid-high 80′s so we might even be past the triple digits for the remainder of 2013.
Overnight temps have been very nice, and it was just under 60 degrees when I got to the Gilbert Water Ranch around 7:00 am on Friday, October 11. I spent 90 minutes re-aquainting myself wit the Water Ranch and seeing what birds were around. They included my first-of-season White-crowned Sparrows and Yellow-rumped Warblers – two species that should be around the Water Ranch in good numbers for many months.
Nikon D300, Nikkor AF-S 300/2.8 plus TC20E III (2x), ISO 400, 1/640th second at f/8, 7:48 am
The two images shown in this post are of the same White-crowned Sparrow on the same branch, taken 47 seconds apart. I like them both and haven’t yet decided which I prefer.
A good friend gave me this unsolicited response after seeing the top image:
Like it. A good example of how much you can get into a supposedly simple shot. Composition balanced but not symmetric or static, with a mix of straight and curving lines for the eye to wander along; colors: muted and harmonious. mood: sunny and warm but not too hot. Sparrow, main subject: interesting pose, technically wonderful, enjoy the soft texture of breast and tiny catchlight in eye and, oddly, tail. Yellowish bill echoes yellowish tones in background and gray overall color echoes tones in the branch. If you stop there, it’s a fine picture indeed, but there’s another layer with the calligraphic shadows and a perfect little sprig on the bird’s breast.
Blushing, I replied:
Thanks! I wish I could claim that I was aware of all that when I made this shot.
When I’m doing this I pay attention to the bird – am I focused on the face/eye?; how’s the light falling on it (especially the face); where is the bird in the frame (don’t clip it if it is big in there frame; don’t center it if possible). I also worry about the exposure when there’s important white or bright yellow/red areas, or when there’s strong back light or high contrast.
Experience makes a lot of this almost “muscle memory” level, and I’m glad I didn’t lose that over the low activity hot summer.
The gear also makes a lot of difference. Having essentially unlimited free frame capacity means I can take a lot more risky shots with no penalty, and this means I can greatly increase my chances of a good frame in the sequence. I’m not locked into a slow film speed – I can dial up the ISO to whatever I need in seconds. Nikon’s metering has always been trustworthy so I don’t have to guess and pray. And I’ve set up my auto focus so the active sensor “floats” as needed after I’ve initially locked on.
The time stamps recorded in the EXIF of both images here show they were taken only 47 seconds apart. After my initial series of shots I moved a little closer to tighten up the composition on the sparrow, but as the images show that larger subject means less of the setting. Sometimes this is a good tradeoff, while at other times I prefer to see more of the habitat.